![]() ![]() For example, with any plug‑in you can duplicate the incoming stereo signal on channels 1+2 on channels 3+4, and the next plug‑in in the chain can be set to receive a signal from either or both. Importantly, this allows you to use plug‑ins not only in esoteric multi‑channel setups, but also to create complex audio routing within a single track. ![]() When working with audio (a track is a track in Reaper, whether it’s used for audio, instruments, MIDI or even video), each track can be configured to have up to 64 separate internal audio channels, and any plug‑ins inserted on the track can be made to accept inputs from any of those channels, and to deliver its output to any (or none) of them. Arguably its greatest is its huge versatility when it comes to audio routing. Reaper has many features that make it unique among software DAWs. As I was writing that article, I was reminded of another handy Reaper trick I’ve used a few times, which can make use of both of those plug‑ins and refine the embedded meter’s response.Ī track is a track in Reaper, whether its used for audio, instruments, MIDI or even video. Increasing a track’s channel count in the Routing window.Īny Reaper track can have up to 64 channels, and even in stereo mix projects that opens up a vast world of routing possibilities.īack in June ( ), I explained how to embed plug‑in controls in Reaper’s Track Control Panel (TCP) and, for a select few plug‑ins, how you can embed a GUI, using ReaEQ and JS: VU Meter (ZenoMod) to illustrate that. ![]()
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